Showing posts with label blog. Show all posts
Showing posts with label blog. Show all posts

Monday, March 2, 2015

THE LEONARD NIMOY/JIMI HENDRIX/MAD MAGAZINE TRIUMVIRATE!





















Which VULCAN ear joke came first? In THE TROUBLE WITH THE TRIBBLES, which first aired December 29 1967, one occurs just after the 35:00 mark:








This excerpt from STAR BLECCH, by MORT DRUCKER & DICK DE BARTOLO, was published in issue #115 of MAD MAGAZINE from December 1967:























JIMI HENDRIX ends his band introductions at WOODSTOCK with ALFRED E. NEUMAN's catchphrase at roughly 4:45:





JIMI:

I SEE THAT WE MEET AGAIN HMMM. YEAH WELL, WELL, WELL. DIG,

DIG, I'D LIKE TO GET SOMETHING STRAIGHT, WE UMMM WE GOT TIRED

OF THE EXPERIENCE, AND EVERY ONCE IN A WHILE WE'RE BLOWING

OUR MINDS TOO MUCH, SO WE DECIDED TO CHANGE EVERYTHING AROUND.

AND UH CALL IT 'GYPSY SUNS AND RAINBOWS' FOR SHORT NOTHIN' BUT

A BAND OF GYPSIES. WE HAVE BILLY COX PLAYIN' BASS, AND UM FROM

NASHVILLE TENNESSEE WE HAVE LARRY LEE PLAYIN' GUITAR

OVER THERE, THE OTHER ME.

WE GOT JUMA PLAYIN' CONGOS OVER THERE,

JUMA, AND WE HAVE HEART, ERR UH GRANNYGOOSE,

OH I'M SORRY MITCH MITCHELL ON DRUMS OVER THERE,

AND WE GOT JERRY VELEZ ON CONGOS TOO. YOU GOT YOURS TRULY ON MEAT WHISTLE,

WHAT, ME WORRY?

(SOMEONE IN THE BACKGROUND) 
"JIMI AREYOU HIGH?" 

I HAVE MINE THANK YOU.

I HAVE MINE THANK YOU, BABY.

GIVES US ABOUT A MINUTE AND A HALF TO TUNE UP OK.

LIKE WE ONLY HAD ABOUT TWO REHEARSALS SO A WE'LL ONLY DO A PRIMARY

RHYTHM THING.I MEAN IT'S THE FIRST RAYS OF A NEW RISING SUN ANYWAY,

 SO WE MIGHT AS WELL START FROM THE EARTH,
WHICH IS RHYTHM.







Here is the slowed down STAR TREK-inspired text for THIRD STONE FROM THE SUN from
ARE YOU EXPERIENCED:





Starfleet to scoutship, please give your position, Over.
I'm in orbit around the third planet from the star called
the sun. Over.
You mean its the earth? Over.
Positive. It is known to have some form of intelligent
species. Over.
I think we should take a look.

Strange beautiful grass of green,
With your majestic silver seas
Your mysterious mountains I wish to see closer
May I land my kinky machine

Strange beautiful grass of green,
With your majestic silver seas
Your mysterious mountains I wish to see closer
May I land my kinky machine

Although your world wonders me,
With your majestic and superior cackling hen
Your people I do not understand,
So to you I shall put an end
And you'll
Never hear
Surf music again

Secret
Oh, secret





Here it is sped back up, returning JIMI's vocals to their normal speed:




















In this 2012 interview LEONARD NIMOY discusses meeting JIMI HENDRIX, starting at about the 10:00 mark:

















And finally, here is NIMOY's cover of BOBBY HEBB's hit SUNNY, also utilized in the Oct. 1976 #186 MAD MAGAZINE musical parody KEEP ON TREKIN' by MORT DRUCKER and FRANK JACOBS:


















********

 




LLAP






 1931-2015












Wednesday, February 11, 2015

PUNK VS HEAVY METAL! THE RAMONES MEET BLACK SABBATH










Believe it or not, twice in the late 70s the RAMONES were the opening act for BLACK SABBATH. Before securing their status as headliners, the band were likely to accept any pairing, no matter how ill conceived the booking. One of the shows was even billed as PUNK VS HEAVY METAL, and the RAMONES had to halt their performance and flee the stage amidst a shower of debris after aborted attempts to start I'M AGAINST IT and SURFIN' BIRD. They did not return to complete their set.


Astonishingly, audio has turned up of this show:



RAMONES VS BLACK SABBATH 1







The other recording is even more unruly, especially at the end of PINHEAD and after the completion of the SEARCHERS' ballad NEEDLES & PINS (perhaps they might have skipped this one??) A disgusted JOEY refers to the crowd as 'turkeys' before launching into SURFIN' BIRD.

(The image is actually from another disastrous gig, opening for AEROSMITH at a festival in Toronto.)


Here is the regrettably incomplete audio:



RAMONES VS BLACK SABBATH 2














Here is MARKY recalling the shows (the link requires two steps, or click on the title):


MARKY RAMONE RECALLS RAMONES VS BLACK SABBATH










The band seemed to take the failed crossover performances in stride, and DEEDEE even briefly took to sporting a BLACK SABBATH tshirt (see above). Over time the schism between the exclusive HEAVY METAL and PUNK camps smoothed over, but a vintage photograph used by the OBLIVIANS for the cover of their classic album POPULAR FAVORITES captures the zeitgeist animosity of an older era perfectly...






(Note the fans wearing tshirts similar to DEEDEE's. Ah, those were the days.)






Looking for a photo credit on the DEEDEE pic, if anybody knows, please let me know.



Until then, feel free to check out my track by track RAMONES career overview blog at

RAMONES: HUMMING A SICKENING TUNE


You can follow on FB and tumblr too.






GABBA GABBA HEY








Sunday, December 7, 2014

ROKY ERICKSON-- THE EVIL ONE RARITIES!!







The folks over at TEXAS PSYCHEDELIC ROCK have been uploading some rather amazing ROKY ERICKSON archival material to youtube lately. Two different posts have revealed a startling amount of alternate takes and mixes from the EVIL ONE sessions. For convenience this blog will gather these recordings, and also some links to other related items.

With a few major exceptions (WHITE FACES, COLD NIGHT FOR ALLIGATORS) most of these outtakes are not too radically different in their arrangement, but there are MANY great different vocal takes, longer fades, and performance details now audible with different instruments more prominent in the mix. There are also some cool instrumental backing track takes.

2 hours of expanded EVIL ONE. Thanks to the uploaders of this precious motherlode. You can follow TEXAS PSYCHEDELIC ROCK's ROKY- related activities on Facebook here: 13TH FLOOR ELEVATORS/ROKY ERICKSON.


Enjoy!





EVIL ONE ALTERNATE MIXES






01 It's a Cold Night for Alligators 0:00
02 Night of the Vampire (alternate mix) 03:14
03 Mine Mine Mind (alternate mix) 07:30
04 If You Have Ghosts (alternate mix) 11:04
05 Stand For The Fire Demon (alternate mix) 15:12
06 Two Headed Dog (Red Temple Prayer) (alternate mix) 21:08
07 I Think Of Demons (alternate take/mix ) 24:30
08 White Faces (alternate mix/doubled vocals) 27:19
09 I Walked with a Zombie (extended alternate mix/alternate backing vocals) 29:55
10 Creature with the Atom Brain (alternate take) 33:13
11 Don't Shake Me Lucifer (alternate take/mix) 37:30
12 The Wind and More (alternate mix) 40:20
13 Click Your Fingers Applauding the Play (alternate mix) 44:24
14 Cold Night For Alligators (alternate mix) 46:59
15 Alien I Creator (alternate take) 51:36





THE EVIL ONE VOCAL TAKES & INSTRUMENTALS






01 It's a Cold Night for Alligators (Take 1) 0:00
02 It's a Cold Night for Alligators (Take 2) 03:14
03 It's a Cold Night for Alligators (Take 3) 06:28
04 If You Have Ghosts (Take 1) 09:41
05 If You Have Ghosts (Take 2) 13:42
06 If You Have Ghosts (Take 3) 17:17
07 The Wind and More (Take 1) 21:21
08 The Wind and More (Take 2) 25:45
09 White Faces (Take 1) 30:07
10 White Faces (Take 2) 32:52
11 White Faces (Take 3) 35:35
12 Click Your Fingers Applauding the Play (Take1) 38:16
13 Click Your Fingers Applauding the Play (Take 2) 40:38
14 Click Your Fingers Applauding the Play (Take 3) 43:14
15 Don't Shake Me Lucifer (Take 1) 45:49
16 Don't Shake Me Lucifer (Take 2) 48:48
17 Stand for the Fire Demon (Instrumental) 51:41
18 The Damned Thing (Instrumental 1) 57:52
19 The Damned Thing (Instrumental 2) 1:03:14
20 Night of the Vampire (Instrumental 1) 1:06:31
21 Night of the Vampire (Instrumental 2) 1:10:54

Musicians: Roky Erickson (vocals & guitar), Duane Aslaksen (guitar), Steven Burgess (bass), Fuzzy Furioso (drums), Andre Lewis (keyboards), Bill Miller (autoharp); Also: Brian Marnell, Scott Matthews, Link Davis Jr. and Stu Cook







Here's the complete original CD.


THE EVIL ONE









Here's a link to ROKY ERICKSON: THE EVILLER ONE, a collection of other versions of the EVIL ONE compositions I compiled for my blog BUNCOMBE SHINOLA:



ROKY ERICKSON: THE EVILLER ONE--AN ALTERNATE CLASSIC








And finally, here is a link to the Facebook fanpage where I post ROKY related materials daily:


DEVIL'S INFINITY CHILDREN: ROKY ERICKSON FANPAGE




Cheers


















TOM WAITS & THE RAMONES








TOM WAITS and THE RAMONES. Two of my favorites, and some might think unlikely members of a mutual appreciation society- or interpreters of each others' material. However, over the years their common ground has cemented, and borne fruit. For Mr. WAITS' birthday (and convenience) I've gathered up all of their respective covers, and their original versions, Enjoy.




THE RETURN OF JACKIE & JUDY







I DON'T WANNA GROW UP







DANNY SAYS






PONY- CJ RAMONE




 

 

 

The originals:



THE RETURN OF JACKIE AND JUDY








I DON'T WANNA GROW UP







DANNY SAYS







PONY

 



 

 

 

 

How about some live action?


I DON'T WANNA GROW UP live












ALSO!

Feel free to check out my daily track by track RAMONES career overview blog at

RAMONES: HUMMING A SICKENING TUNE



Photo by BRAD ELTERMAN







Monday, April 7, 2014

INDIANA JONES & THE FACES OF DEATH!!










INDIANA JONES & THE TEMPLE OF DOOM is such a lousy movie in so many ways. Several common sequel pitfalls are tripped over (the 'annoying kid sidekick' is a prevalent film followup cliche), and who can erase the shrill annoyance of KATE CAPSHAW's dreadful performance (the future Mrs. SPIELBERG, nudge nudge) from their memory. But the jarring shift from RAIDERS OF THE LOST ARK's exhilarating, imaginative violence to the charmless, blunt sadism of the sequel is easily the most glaring shortcoming-- and indeed, TEMPLE OF DOOM is noted as one of the films which triggered the 'PG13' rating. You see, for a big budget, major studio, family adventure picture, an 'R' rating would constitute a disastrous loss of revenue. How do you measure the combined weight of director STEVEN SPIELBERG's and producer GEORGE LUCAS's Hollywood sway in the 80's? Instead of being pressured to tone down the brutality of their latest offering, they received a convenient new rating designation, seemingly tailormade for their predicament. "R' level violence that the kids can attend.

SPIELBERG & LUCAS were both struggling through divorce/breakup difficulties before and during production, and in retrospect both acknowledge this shaded their creative outlook, with especially SPIELBERG proving surprisingly willing to dismiss TEMPLE OF DOOM outright.

But perhaps there was something else heightening their black mood, nudging their bleak funk, agitating their simmering tastelessness. Recently, while in the midst of a VHS mondo genre review, I was suddenly struck by how many of TEMPLE OF DOOM's noteworthy scenes were mirrored in the famous snuff documentary FACES OF DEATH, released significantly earlier. FACES is well known as the release that triggered the death video compilation avalanche in rental stores nationwide during the early 80s- the MONDO CANE of the VHS age. (That so much of the 'documentary' is transparently staged, and narrated with insultingly smug phoniness, seems to have mattered little.)

While it is difficult to imagine SPIELBERG or LUCAS hanging out at their homes with a bowl of popcorn and shoving their clear-cased, loaner copy of FACES OF DEATH-- hosted by the ludicrously monikered FRANCIS B. GROSS (pictured above on the motorcycle)-- into their living room vcr for a viewing, the similarities are so strikingly clear, I was stunned to have not noticed them earlier. And make no mistake, as TEMPLE OF DOOM worked through conceptualization and pre-production, FACES OF DEATH had been wildly popular and well known in Video Shops for several YEARS.


Skeptical? Proceed. It'll pass.




1. BEATING HEART
      One of TEMPLE OF DOOM's most notorious scenes, in fact, perhaps one of the very reasons PG13 exists, involves a ritual sacrifice in which a still beating heart is yanked from the chest of a helpless victim. The very opening scene of FACES OF DEATH features a look at some open heart surgery, and lingers for several seconds as the heart pumps away with the chest cavity open and exposed. The credits are then followed by autopsy footage where a heart, and other organs are removed.


https://www.youtube.com/watch?v=mk2E1CoGe98





https://www.youtube.com/watch?v=PN59Tx1s5qM







2. GATOR BAIT
     As TEMPLE OF DOOM draws to a climax, action shifts to a chasm bridged by a shaky rope contraption, and several henchmen tumble to their deaths into the crocodile infested waters below. This recalls one of FACES OF DEATH's sequences, in which a representative of law enforcement, unwisely attempting to lasso an alligator in a pond, is yanked into the drink and mauled.Of course, it's even MORE similar to the FACES OF DEATH 3 segment in which a windblown parachutist lands into a Florida allogator (crocodile? whatever) pit. However, the third installment in the FACES OF DEATH series saw relase a year after TEMPLE OF DOOM hit the theaters. It's still quite striking how similarly the feeding frenzies are edited-- perhaps FRANCIS B. GROSS and co. felt it was time for some payback. After all, turnabout is fair play.


https://www.youtube.com/watch?v=rKOeLVsmkLQ





https://www.youtube.com/watch?v=ROD4A0jr0Lw






https://www.youtube.com/watch?v=13jWeF8iM_Y







3. MONKEY BRAINS
     Lastly, the clincher. The 'comedic' highlight of the second INDIANA JONES flick involves a long gross out dinner scene in a foreign country where, amongst other revolting offerings, monkey brains are on the menu. If there is SOME way one can claim this idea wasn't stolen outright from this world-famous FACES OF DEATH sequence, PLEASE, explain to me HOW. (While this scene is truly disturbing, one can rest easy that it is also one of the 'documentary's most obviously staged schticks.)



https://www.youtube.com/watch?v=3MgyRO3c870





https://www.youtube.com/watch?v=MjRdxuByd2g








INDIANA Jonesin' for death?? How could he B. so Gross?









Sorry for the low quality clips on some of these, copyright holders seem to be working hard to keep some of these scenes offline.















Monday, January 20, 2014

HIX do DIX!









As part of ALEJANDRO ESCOVEDO's UNITED SOUNDS OF AUSTIN concert on January 11, 2014 the HICKOIDS were invited to perform DEAD IN A MOTEL ROOM by Austin's beloved punk icons THE DICKS. Other artists appearing at this 'Journey Through 60 Years of Austin Music' included JOE ELY, LUCINDA WILLIAMS, ROKY ERICKSON, BUTCH HANCOCK, TERRY ALLEN & ROSIE FLORES.











All photos by TODD V WOLFSON. More of his great pix from this event can be found here:

 The United Sounds of Austin / ACL Live at the Moody Theater .




Nobody got the whole song on video, but between these two clips it's almost all of it. The introduction is courtesy the lovely MARGARET MOSER.

HICKOIDS DEAD IN A MOTEL ROOM pt 1






HICKOIDS DEAD IN A MOTEL ROOM pt 2







HICKOIDS were honored to be invited, and had a great time. Thanx everybody





Tuesday, January 14, 2014

SOMETHING WEIRD VIDEO: TOP TEN WEIRDNESS!!








I am not a fan of modern film. Nor am I a fan of normal film. The laughable standard of 'star quality' currently dribbling from the hackneyed Hollywood lowest-common-denominator drip, the infuriating passivity and homogenized din of unconvincing action dominant in the post-internet era mindrot, the co-opting of the art cinema fare by the dullest romantic devices of the mainstream, and the inevitable extinction of the independent grindhouse, ALL leave me utterly DRY.

On the other hand, I have always been thrilled by the anachronistic, the deviant, the absurd, the outsider, the rockin', and the raw. And that is what makes the recent passing of SOMETHING WEIRD VIDEO's Mike Vraney such a personal heartbreak for me. This from a fan who never met the man, but was brought hours and hours of mind boggling, titillating and hilarious joy through his labours. For years, even decades.

SWV revelled in pre-porn smut, rock and roll delinquent potboilers, Z-grade sc-ifi & monster flicks, and all other realms exploitative or odd. They not only helped to shape my aesthetic-- my leanings toward the flavors of the bizarre and forgotten-- but they also validated that such tastes were part of an older, ever present, ever evolving, mindset- whose delirious ranks I had unwittingly joined.

In memoriam, and celebration, I humbly offer my TOP TEN Favorite SWV mind-melters. Cheers, Mr. Vraney, and Thank you for EVERYTHING.

Long Live SOMETHING WEIRD VIDEO!






1957-2014 
                                                                     





1. MANTIS IN LACE aka LILA
     Lovely exotic dancer LILA OD's on LSD and becomes prone to mid-coital flashbacks, which bring her to the point of homicidal psychedelic fury. Cinematographer LASZLO KOVACS (!) helped supply some of the violently hallucinatory imagery, and one of the victims is STUART LANCASTER from RUSS MEYER's FASTER PUSSYCAT, KILL! KILL!- but there are too many whack performances to list, really. Although SWV dvds are noted for their amazing extras (all time creepiest School Scare film LSD: TRIP OR TRAP? is included), I recommend seeking this out on VHS. It is a far superior cut, although it is a badly damaged print. Still easy to enjoy under the influence, I can attest. More on this classic later. For now, here is the unforgettable theme song:








2. BLOOD FREAK
     Muscleman biker STEVE HAWKES takes a new job eating turkey injected with experimental drugs to help support his addiction to marijuana, which is also tainted. The combination transforms him into a bloodthirsty, rampaging, uhh, turkey beak guy, who terrorizes the neighborhood. Plenty of hippie hotties, drug parties, and crimson drenched gore. And praying. Oh, see, this is actually a jesus film! Turkeyman is saved through the efforts of his christian girlfriend, and he eventually drops to his knees to ask the almighty for aid. Incredible.








3. STREET OF A THOUSAND PLEASURES
     An unforgettable artifact of a lost time, STREET OF A THOUSAND PLEASURES is a nudie flick on the very threshold of the hardcore era. The thin plot involves an American being shown around an arab slave girl market, but what soon becomes apparent is that the filmmakers have stacked the production with EVERY single nude model or exotic dancer they could find who was willing to participate. So DOZENS of familiar faces (over 70!) from this period appear, including the well known USCHI DIGARD, JOYCE GIBSON and MICHELLE ANGELO. The POV camerawork is equally, and uniquely, exciting too. Many films have bragged the tagline "There's something in it for EVERYONE!", but for once, they weren't kidding. Not willing to post a link to the amazing trailer at some dubious porn site, you'll have to find it yourself. Or better yet, go buy that SOMETHING WEIRD SAMPLER dvd. Lotsa great clips & coming attractions.







4. WIZARD OF GORE
     I vacillated between including HERSCHELL GORDON LEWIS' well known classic BLOOD FEAST or this less familiar freakout from further along in his career. Finally went with the latter because the confusing, fourth-wall shattering last reel has always reminded me of the climax to ALEJANDRO JODOROWSKY's later film HOLY MOUNTAIN. Montag the Magician performs blood drenched illusions onstage, but later the hypnotised participants unexpectedly succumb to their (imagined?) tortures. LEWIS' final reel, leaping into the existential void, is one of his wilder accomplishments.








5. THE CURIOUS DR. HUMPP
     Where to begin. It's Argentinian. It's a softcore porno, with orgies, lesbians and masturbators. It's a mad scientist film, with an evil antagonist taking orders from a brain in a jar and commanding an army of deformed (alien?) henchmen. It's a demented spoof of the prevalent sexual studies which were coming into vogue, via Masters & Johnson's HUMAN SEXUAL RESPONSE & others. And it's a rather well shot detective story, with earnest do gooders hot on the trail to solve the mystery before it is too late. It would almost seem like a movie pieced together from disparate sources (see SATAN'S BED below), but somehow this most schizophrenic of all the SWV offerings manages to hang together. You'll never be the same.





The Curious Dr. Humpp from El Baron Lagourde on Vimeo.




6. BASKET CASE
     Aside from HGL's BLOOD FEAST, perhaps the most widely known of SWV's releases. A likable recent arrival to Times Square (during its seediest heyday) works at exacting revenge against the physicians who performed the surgical removal of his deformed siamese twin as a boy. His astounding companion BELIAL, the basket's denizen, becomes one of cinema's most unlikely underdog antiheroes, and the film bulges with other surprising merits-- numerous likable amateur performances, an impossible to fake aura of NYC scuzziness, some imaginative splatter effects (enhanced by a brief stop-motion sequence!), and a level of irresistably black humor throughout. A low budget masterpiece from FRANK HENENLOTTER.






7. SATAN'S BED
      A disorienting hodgepodge from MICHAEL FINDLAY, who would soon find infamy as a trailblazer in the field of violent pre-porn nudies known as 'roughies.' This film seems to be two works unconvincingly spliced together. One is rather standard FINDLAY fare as a co-ed gang of hooligans terrorize a succession of unfortunate females (including pretty brunette JUDY ADLER, who rarely appears in a movie without being manhandled). The other, however, is a brutal big city fable in which YOKO ONO makes an early, startling, starring appearance. I'm not kidding. No, she doesn't have a nude scene.


SATAN'S BED TRAILER







 8. BLOODY PIT OF HORROR
     Chiseled and oily MICKEY HARGITAY (that's Mr. JAYNE MANSFIELD to you, and yes, father of Law & Order: SVU's MARISKA HARGITAY) stars as The Crimson Executioner, a reincarnation of the MARQUIS DE SADE. His quiet solitude is shattered when a group of photographers and models descends upon his seemingly abandoned castle. Upon eyeballing the beauties, the compulsions take over and he eventually starts bringing the guests down to the torture dungeon... Oddly enough, I think this is supposed to kind of a comedy, but nobody seems to have told HARGITAY, who gives his maniacal all. Not that any of this explains the room with the spider the size of a large pizza and the web made of rope.








9. NIGHT OF THE BLOODY APES
     A glaring exception to the 'remakes are never as good as the originals' rule. Of course, it helps that RENE CARDOZA was remaking his own previous Female Wrestler vs. twisted monster effort: DOCTOR OF DOOM. A doctor transplants an ape's heart into his son's body, but this causes a hideous mutation, and the creature breaks loose. Of course, being shot in the early seventies instead of the early sixties means a lot of gratuitous nudity and gruesome violence- including, perhaps most appallingly, footage of actual open heart surgery. The law is powerless to stop the attacks, but thankfully they are dating a Girl Lucha Libre team, who are considerably more proactive. From SANTOS on down, the Mexican Wrestling Movie genre is a mystifying realm.








10. LOVE CAMP 7
      Not JUST the precursor to an entire rash of women-in-prison movies in the 70s, LOVE CAMP 7 also kicked off the Nazi sexploitation film craze, which plumbed to the depths of depravity with ILSA: SHE WOLF OF THE SS-- but also found a kind of general acceptance in the artier SALON KITTY and THE NIGHT PORTER. It seems rather difficult to comprehend in retrospect, for if there is any genre more difficult to explain away than this brief burst of Hitler porno chic, I'd certainly be hard pressed to name it. And certainly LOVE CAMP 7, where a group of allied agents goes undercover in a Nazi brothel, and is met with predictably harsh treatment, is true to form. It documents a time, years before actual pornography was legalized, when filmakers would go to ANY length to make their smut deviantly stand out from the crowd. So much of the vintage celluloid could almost seem quaint, if not for the brutal concepts and content-- all so strangely alluring in these PC days.












Well guys, there you have it. It's been a blast! Feel free to leave a comment below and tell me your faves.

And I'm certain there is still plenty of fun to come. For the awesome power and dominating influence of SOMETHING WEIRD VIDEO is ominously all-pervasive....









Here's a link to the fabulous SOMETHING WEIRD VIDEO website! There is also a link to their FB page this way. ORDER something NOW!!

SOMETHING WEIRD VIDEO



And here's a link to MIKE VRANEY's Memorial FB page. A TON of great pictures and remembrances.

MIKE VRANEY MEMORIAL TRIBUTE







SOMETHING WEIRD VIDEO gif via MONSTERMAN! Check out his tumblr!


If anybody needs a credit for anything, please let me know, and I will make adjustments. Thank you.









Wednesday, October 30, 2013

ROKY ERICKSON-THE EVILLER ONE Redux: AN ALTERNATE CLASSIC!







The material recorded by ROKY ERICKSON and the ALIENS with ex CREEDENCE CLEARWATER REVIVAL bassist Stu Cook in the producer spot still commands respect more than 30 years later. Initially spread out over two lps but now compiled into the 15 song EVIL ONE cd, the otherworldly spell of this music still holds demonic sway-- in its way, as important as his legendary previous work with Psychedelic/Garage titans the 13TH FLOOR ELEVATORS. The focus of the terror themed compositions married to the unique and powerful arrangements of the ALIENS resulted in a no-longer-debatable classic. With each passing year its 'cult' status appeal expands into a wider and wider audience of appreciative fanatics.

So why mess with a good thing? Well, truth is, most of THE EVIL ONE's tracks have made impressive, sometimes superior, appearances elsewhere in the dense catalogue of ERICKSON's erratic recording career. Sometimes different versions tried with the ALIENS, sometimes with other backing bands such as the EXPLOSIVES, sometimes live, sometimes solo attempts. With so much of this amazing material available online, it seemed natural to offer up an 'alternate' EVIL ONE. Many of these other options are likely to thrill both the novice ROKY dabbler as well as the longtime devotee-- there are some truly wild performances here, and not all of them are well known.


The set is programmed to match the running order of the EVIL ONE cd, so kick back, open up your mind, and click your fingers applauding as you press PLAY.





1. TWO HEADED DOG
     Arguably the most perfect version of this classic was concocted for the slightly earlier Sponge EP, also recorded with the ALIENS.

TWO HEADED DOG





2. I THINK OF DEMONS
     Rarely attempted live until ROKY's 'comeback,' here is an impressive take with the NOMADS backing him in 2008 in front of an awesomely receptive audience.

I THINK UP DEMONS





3. CREATURE WITH THE ATOM BRAIN
      An unforgettable segment of the 1980 documentary MEETING WITH AN ALIEN featured ROKY performing this favorite in a windy graveyard. Begins with an amusing interview snippet and ends with the ol' devil horns.

CREATURE WITH THE ATOM BRAIN





4. THE WIND AND MORE
     This energetic performance with the EXPLOSIVES features some maniacal adlibbing from ERICKSON. This is matched with some more horror themed live footage from MEETING WITH AN ALIEN.

THE WIND AND MORE






5. DON'T SHAKE ME LUCIFER
     An enticing performance with the EXPLOSIVES features a tough, lean arrangement and is notably adorned by a rarely heard extra verse-- which surprisingly references his earlier band.

DON'T SHAKE ME LUCIFER


>


 6. BLOODY HAMMER
      A great acoustic version from the uncommon LOVE TO SEE YOU BLEED cd, with an extra verse of lyrics!

BLOODY HAMMER






7. STAND FOR THE FIRE DEMON
     This highlight from the EXPLOSIVES backed CASTING THE RUNES is a performance which inspired ROKY to impressive passages of demented power.

STAND FOR THE FIRE DEMON





8. CLICK YOUR FINGERS APPLAUDING THE PLAY
      Though effective in its own right, the EVIL ONE attempt of this gem just can't match the relentlessly bashing throb of the earlier SPONGE ep take.

CLICK YOUR FINGERS APPLAUDING THE PLAY






9. IF YOU HAVE GHOSTS
     Also rarely attempted live pre-'comeback,' here is a performance with the MYSTIC KNIGHTS OF THE SEA from the 'lost' years. Reaching from the precipice of the abyss, with determination intact.

IF YOU HAVE GHOSTS





10. I WALKED WITH A ZOMBIE
     Another strong EXPLOSIVES live cut.

I WALKED WITH A ZOMBIE





11. NIGHT OF THE VAMPIRE
     This startlingly devilish highlight from GREMLINS HAVE PICTURES captures what may be ERICKSON's finest moment with the EXPLOSIVES.

NIGHT OF THE VAMPIRE





12. IT'S A COLD NIGHT FOR ALLIGATORS
      This thrilling alternate EVIL ONE take is powered by demonstrably more frenetic drumwork, and other impressive performance touches from the ALIENS.

IT'S A COLD NIGHT FOR ALLIGATORS





13. MINE MINE MIND
     Another superior SPONGE ep meditation.

MINE MINE MIND





14. SPUTNIK
      Leading off with a chorus instead of a verse, this dazzling EVIL ONE alternate take more than holds its own against the finally utilized version.

SPUTNIK: ALIEN I CREATOR





15. WHITE FACES
     The EVILLER ONE proper closes with one of this exercise's most amazing finds: an undeniably superior EVIL ONE take with an incredibly open throttle, full on freakout vocal explosion from ROKY. MUST be heard to be believed.

WHITE FACES










We'll wrap things up here with a few extra tastes of other versions which just fell short of the cut. There were only a few of my first choices not available online-- the Sympathy for the Record Industry live RESURRECTIONISTS cd BEAUTY AND THE BEAST has a great DON'T SHAKE ME LUCIFER, and that release's TWO HEADED DOG surely would have been considered. Otherwise, the remaining ideal options were often all findable. So were these appealing also rans.


16. TWO HEADED DOG
     Surely the toughest decision of this program was between the SPONGE ep take of TWO HEADED DOG and this DOUG SAHM produced original, which appeared on a 45 on the MARS label. Many prefer the nearly unhinged clamour of this version, but the devastating guitar work on the SPONGE ep tipped the scales in that direction.

TWO HEADED DOG





17. CREATURE WITH THE ATOM BRAIN
     The two cd collection THE EVIL ONE (PLUS ONE) reveals this tantalizing outtake with the ALIENS. Incomplete, but with far more dialogue from the film quoted.

CREATURE WITH THE ATOM BRAIN





18.NIGHT OF THE VAMPIRE
      Another brief EVIL ONE alternate from the same release.

NIGHT OF THE VAMPIRE





19. IT'S A COLD NIGHT FOR ALLIGATORS
     Edging out the also excellent GREMLINS HAVE PICTURES version, here is a scorching and less common performance with the underheralded RESURRECTIONISTS. Check out an unprecedentedly confident ROKY doubling up the guitar leads!

IT'S A COLD NIGHT FOR ALLIGATORS





20. MINE MINE MIND
      A dark, moody solo performance.

MINE MINE MIND





21. BLOODY HAMMER
     This slightly varispeeded rough mix of the EVIL ONE version features not only more dominant guitars, but also continues well past the expected fadeout point to the absolute conclusion.


BLOODY HAMMER






22. THE WIND AND MORE
     KILLER live take with Dallas' NERVEBREAKERS

THE WIND AND MORE






23. I THINK OF DEMONS
     Raw EVIL ONE aternate mix!

I THINK OF DEMONS





 24. STAND FOR THE FIRE DEMON
     After a great BLOODY HAMMER intro, ROKY & THE ALIENS detour into a blistering STAND FOR THE FIRE DEMON! (Plus, a surprise non-EVIL ONE extra!)

STAND FOR THE FIRE DEMON






25. NIGHT OF THE VAMPIRE
      And finally, an unforgettable rehearsal with full orchestra and choir, preparing for one of ROKY's last performances. A perfect monster has no end, indeed.

NIGHT OF THE VAMPIRE










Thanx to the YOUTUBE posters of these precious materials.



For more great ROKY artifacts, please visit this fanpage:

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DEVIL'S INFINITY CHILDREN: A ROKY ERICKSON FANPAGE


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Hail the party.




Wednesday, August 21, 2013

ROKY ERICKSON-THE EVILLER ONE: AN ALTERNATE CLASSIC!






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THIS PAGE HAS BEEN UPDATED! Click here to jump to the fresh link.

EVILLER ONE REDUX

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The material recorded by ROKY ERICKSON and the ALIENS with ex CREEDENCE CLEARWATER REVIVAL bassist Stu Cook in the producer spot still commands respect more than 30 years later. Initially spread out over two lps but now compiled into the 15 song EVIL ONE cd, the otherworldly spell of this music still holds demonic sway-- in its way, as important as his legendary previous work with Psychedelic/Garage titans the 13TH FLOOR ELEVATORS. The focus of the terror themed compositions married to the unique and powerful arrangements of the ALIENS resulted in a no-longer-debatable classic. With each passing year its 'cult' status appeal expands into a wider and wider audience of appreciative fanatics.

So why mess with a good thing? Well, truth is, most of THE EVIL ONE's tracks have made impressive, sometimes superior, appearances elsewhere in the dense catalogue of ERICKSON's erratic recording career. Sometimes different versions tried with the ALIENS, sometimes with other backing bands such as the EXPLOSIVES, sometimes live, sometimes solo attempts. With so much of this amazing material available online, it seemed natural to offer up an 'alternate' EVIL ONE. Many of these other options are likely to thrill both the novice ROKY dabbler as well as the longtime devotee-- there are some truly wild performances here, and not all of them are well known.


The set is programmed to match the running order of the EVIL ONE cd, so kick back, open up your mind, and click your fingers applauding as you press PLAY.





1. TWO HEADED DOG
     Arguably the most perfect version of this classic was concocted for the slightly earlier Sponge EP, also recorded with the ALIENS.

TWO HEADED DOG





2. I THINK OF DEMONS
     There actually aren't a lot of other versions of this sturdy scarifier, so we'll make do with a strong live take with THE EXPLOSIVES, recorded on Halloween and leaning more towards the 'UP' instead of the 'OF' of the title.

I THINK UP DEMONS





3. CREATURE WITH THE ATOM BRAIN
      An unforgettable segment of the 1980 documentary MEETING WITH AN ALIEN featured ROKY performing this favorite in a windy graveyard. Begins with an amusing interview snippet and ends with the ol' devil horns.

CREATURE WITH THE ATOM BRAIN





4. THE WIND AND MORE
     This energetic performance with the EXPLOSIVES features some maniacal adlibbing from ERICKSON.

THE WIND AND MORE





5. DON'T SHAKE ME LUCIFER
     Another tidbit from the Halloween show features a tough, lean arrangement and is notably adorned by a rarely heard extra verse-- which surprisingly references his earlier band.

DON'T SHAKE ME LUCIFER





 6. BLOODY HAMMER
      This slightly varispeeded rough mix of the EVIL ONE version features not only more dominant guitars, but also continues well past the expected fadeout point to the absolute conclusion.

BLOODY HAMMER





7. STAND FOR THE FIRE DEMON
     This highlight from the EXPLOSIVES backed CASTING THE RUNES is a performance which inspired ROKY to impressive passages of demented power.

STAND FOR THE FIRE DEMON





8. CLICK YOUR FINGERS APPLAUDING THE PLAY
      Though effective in its own right, the EVIL ONE attempt of this gem just can't match the relentlessly bashing throb of the earlier SPONGE ep take.

CLICK YOUR FINGERS APPLAUDING THE PLAY






9. IF YOU HAVE GHOSTS
     An EVIL ONE rarity for certain: not only untopped, but virtually unattempted elsewhere in any recorded form by ERICKSON. Suppose the only way to achieve 'EVILLER' in this instance is to throw in imagery from the 1962 cult horror film CARNIVAL OF SOULS. (This vid begins with a brief snippet of WHITE FACES. Don't worry. That's coming.)

IF YOU HAVE GHOSTS





10. I WALKED WITH A ZOMBIE
     Another strong EXPLOSIVES live cut.

I WALKED WITH A ZOMBIE





11. NIGHT OF THE VAMPIRE
     This startlingly devilish highlight from GREMLINS HAVE PICTURES captures what may be ERICKSON's finest moment with the EXPLOSIVES.

NIGHT OF THE VAMPIRE





12. IT'S A COLD NIGHT FOR ALLIGATORS
      This thrilling alternate EVIL ONE take is powered by demonstrably more frenetic drumwork, and other impressive performance touches from the ALIENS.

IT'S A COLD NIGHT FOR ALLIGATORS





13. MINE MINE MIND
     Another superior SPONGE ep meditation.

MINE MINE MIND





14. SPUTNIK
      Leading off with a chorus instead of a verse, this dazzling EVIL ONE alternate take more than holds its own against the finally utilized version.

SPUTNIK: ALIEN I CREATOR





15. WHITE FACES
     The EVILLER ONE proper closes with one of this exercise's most amazing finds: an undeniably superior EVIL ONE take with an incredibly open throttle, full on freakout vocal explosion from ROKY. MUST be heard to be believed.

WHITE FACES










We'll wrap things up here with a few extra tastes of other versions which just fell short of the cut. There were only a few of my first choices not available online-- the Sympathy for the Record Industry live RESURRECTIONISTS cd BEAUTY AND THE BEAST has a great DON'T SHAKE ME LUCIFER, and that release's TWO HEADED DOG and COLD NIGHT FOR ALLIGATORS surely would have been considered. The LIVE IN DALLAS release with the NERVEBREAKERS features a particularly strong THE WIND AND MORE. Also, the odd import compilation LOVE TO SEE YOU BLEED has a potent acoustic demo of BLOODY HAMMER. Otherwise, the remaining ideal options were all findable. So were these appealing also rans.


16. TWO HEADED DOG
     Surely the toughest decision of this program was between the SPONGE ep take of TWO HEADED DOG and this DOUG SAHM produced original, which appeared on a 45 on the MARS label. Many prefer the nearly unhinged clamour of this version, but the devastating guitar work on the SPONGE ep tipped the scales in that direction.

TWO HEADED DOG





17. CREATURE WITH THE ATOM BRAIN
     The two cd collection THE EVIL ONE (PLUS ONE) reveals this tantalizing outtake with the ALIENS. Incomplete, but with far more dialogue from the film quoted.

CREATURE WITH THE ATOM BRAIN





18.NIGHT OF THE VAMPIRE
      Another brief EVIL ONE alternate from the same release.

NIGHT OF THE VAMPIRE





19. IT'S A COLD NIGHT FOR ALLIGATORS
     Another great EXPLOSIVES live track from GREMLINS HAVE PICTURES. Not as good as the RESURRECTIONISTS, but available.

IT'S A COLD NIGHT FOR ALLIGATORS





20. MINE MINE MIND
      A dark, moody solo performance.

MINE MINE MIND





21. TWO HEADED DOG
     In conclusion, one more highly obscure demo of TWO HEADED DOG.

TWO HEADED DOG









Thanx to the YOUTUBE posters of these precious materials.



For more great ROKY artifacts, please visit this fanpage:

**************************************

https://www.facebook.com/devilsinfintychildren

**************************************



Hail the party.




Monday, August 12, 2013

RAMONES CARTOONS!! REDUX







ENJOY, kiddies!  And don't forget to check out my daily track by track RAMONES career overview at:

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RAMONES--HUMMING A SICKENING TUNE: An Overview

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I DON'T WANNA GO DOWN TO THE BASEMENT Demo







I DON'T WANNA GO DOWN TO THE BASEMENT







LISTEN TO MY HEART








COMMANDO








CHAINSAW








JUDY IS A PUNK








DEEDEE








JOHNNY








SPIDER MAN








HAPPY BIRTHDAY








I DON'T WANT TO GROW UP








WE'RE A HAPPY FAMILY







I DON'T WANNA WALK AROUND WITH YOU








ROCK 'N' ROLL HIGH SCHOOL















Thanx to the animators and posters of these great clips, especially stelos486!! Great work. No ownership implied or suggested.

Ramones poster by HUNT EMERSON.





Friday, February 1, 2013

THE RAMONES' OTHER DEBUT ALBUM

 


 


 

The Brothers are absolutely my favorite band, and I often refer to the first album as THE 14 COMMANDMENTS. The nature of its odd (practically ANTI-) production has become a central part of the mystique- thin, dry, trebly, practically no outside instrument embellishment or solos, brutal stereo separation of the bass & guitar, little 'protection' for Joey's (and others') vokes. Its primitivism is often cited as an ideal match to the band's aesthetic approach.

In fact even the meager cost of recording (six grand or so) is often touted as evidence of their simple precision. (I know, doesn't seem too meager to me either. They mean meager compared to the cost of  Fleetwood Mac producing TUSK.)

These notions, however, are obliterated upon hearing the cheap demos recorded by manager Marty Thau & the band in 1975. Crunchy and charged, these recordings make the six grand spent on THE RAMONES seem like a dubious extravagance, and in retrospect later several members noted the earlier tries' superior sound and feel to the subsequent 'real' recordings. A majority of the debut record's tracks were tried out, as well as a few that made it to LEAVE HOME (and even LATER!) and a couple of awesome tunes which went unreleased for years.

With most of these tracks so readily available via youtubin' I thought it might be fun to assemble them here, duplicating the original track order as closely as possible. A few iconic tracks don't appear (Beat on the Brat), but much of the flow has been maintained. Threw on some other extras at the end too. ENJOY!



1. BLITZKRIEG BOP--Even at this early stage, they seemingly arrive fully, perfectly formed. Breathtaking.






2. I DON'T CARE--The only one of these demos held back for ROCKET TO RUSSIA, their 3rd. Many of these tracks feature far more more relaxed and expressive vocals from Joey, and this is a good example.






3. JUDY IS A PUNK--The heavier, but simultaneously somehow more bubblegummy sound they would later overtly attempt on their 2nd LEAVE HOME is evident all over these tracks.





4. I WANNA BE YOUR BOYFRIEND--They give it a go in C before trying it in D (see 16) and then ending up in E on the record. Shoulda left it where it was.





5.CHAINSAW--No buzzsaw intro, but KILLER!





6. NOW I WANNA SNIFF SOME GLUE--Extra fancy guitar pickin' from Johnny!





7. I DON'T WANNA GO DOWN TO THE BASEMENT--I'd be hard pressed to not call this superior to the album version.





8. LOUDMOUTH--A bit tentative perhaps, but great clarity on DeeDee's bass.





9.YOU SHOULD NEVER HAVE OPENED THAT DOOR--Neither HAVANA AFFAIR nor LISTEN TO MY HEART were attempted, but here's a good stab at what ended up being one of LEAVE HOME's less well mixed tracks. They struggle briefly with the oddly timed intro.






10. I CAN'T BE--The other gem which, along with LEARNED/TAMED never made it on to any of the bros' records. The central riff to CHINESE ROCK makes an early appearance, and DIG the cool montage of vintage Bob Gruen and Danny Fields pix from period music mags!





11. 53RD AND 3RD--GREAT vokes from DeeDee throughout, and the fat mix shows Tommy's drumming to great advantage. Great tom sound and eccentric hihat pulloffs.




 

12. YOU'RE GONNA KILL THAT GIRL--LET'S DANCE was not attempted, but this similarly early 60s flavored original was, so it'll take it's place. Bass heavy, but a fun alternative to the LEAVE HOME version, which is voke heavy, amongst other problems. Still strong enough to coax SIRE to offer a single contract to the band for this song, an offer they rejected, holding out for an lp deal.





13. I DON'T WANNA WALK AROUND WITH YOU--One of this collection's strongest finds, an unbelievably awesome sonic barrage.



 

 

14. TODAY YOUR LOVE, TOMORROW THE WORLD--Our alternate '14 commandments' comes to a powerful end, uncensored lyrics and all.









15. JUDY IS A PUNK--Another poppier attempt.






16. I WANNA BE YOUR BOYFRIEND--This time trying it in D, somewhat more polished.






17. WHAT'S YOUR GAME--This was the only Marty Thau demo that didn't fit too well into the construct of what I was aiming for, so I've saved it for here near the end. 




 

 18. I DON'T WANNA BE LEARNED/ I DON'T WANNA BE TAMED--Finally,this embryonic classic- a song which distills their primitive power down to it's purest essence. Until DURANGO 95 came along, much later, that is.







 

 

I'd like to thank all of the youtube posters of this precious material. I know some of these links might not work on phones, but several of the clips were too cool to not get the nod.

Special thanx to Mullin for massive nerdbox support.



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HERE'S  LINKS TO MY RAMONES REVIEWS-- A TRACK BY TRACK RAMONES CAREER OVERVIEW!! 

 

NOW ON YOUTUBE: 

YOUTUBE HUMMING A SICKENING TUNE

FOLLOW ON FB:

FB HUMMING A SICKENING TUNE
 

ORIGINAL BLOG: 

RAMONES--HUMMING A SICKENING TUNE: An Overview

 
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Here's two RAMONES related sites I like:

BLITZKRIEG'S PSYCHOTHERAPY BOP

RAMONES WORLD WIDE GROUP HEY HO LET'S GO




Here's a link to MY tumblr--TRUCKSTOP'S TRUCKSTOP