Monday, January 20, 2014
HIX do DIX!
As part of ALEJANDRO ESCOVEDO's UNITED SOUNDS OF AUSTIN concert on January 11, 2014 the HICKOIDS were invited to perform DEAD IN A MOTEL ROOM by Austin's beloved punk icons THE DICKS. Other artists appearing at this 'Journey Through 60 Years of Austin Music' included JOE ELY, LUCINDA WILLIAMS, ROKY ERICKSON, BUTCH HANCOCK, TERRY ALLEN & ROSIE FLORES.
All photos by TODD V WOLFSON. More of his great pix from this event can be found here:
The United Sounds of Austin / ACL Live at the Moody Theater .
Nobody got the whole song on video, but between these two clips it's almost all of it. The introduction is courtesy the lovely MARGARET MOSER.
HICKOIDS DEAD IN A MOTEL ROOM pt 1
HICKOIDS DEAD IN A MOTEL ROOM pt 2
HICKOIDS were honored to be invited, and had a great time. Thanx everybody
Tuesday, January 14, 2014
SOMETHING WEIRD VIDEO: TOP TEN WEIRDNESS!!
I am not a fan of modern film. Nor am I a fan of normal film. The laughable standard of 'star quality' currently dribbling from the hackneyed Hollywood lowest-common-denominator drip, the infuriating passivity and homogenized din of unconvincing action dominant in the post-internet era mindrot, the co-opting of the art cinema fare by the dullest romantic devices of the mainstream, and the inevitable extinction of the independent grindhouse, ALL leave me utterly DRY.
On the other hand, I have always been thrilled by the anachronistic, the deviant, the absurd, the outsider, the rockin', and the raw. And that is what makes the recent passing of SOMETHING WEIRD VIDEO's Mike Vraney such a personal heartbreak for me. This from a fan who never met the man, but was brought hours and hours of mind boggling, titillating and hilarious joy through his labours. For years, even decades.
SWV revelled in pre-porn smut, rock and roll delinquent potboilers, Z-grade sc-ifi & monster flicks, and all other realms exploitative or odd. They not only helped to shape my aesthetic-- my leanings toward the flavors of the bizarre and forgotten-- but they also validated that such tastes were part of an older, ever present, ever evolving, mindset- whose delirious ranks I had unwittingly joined.
In memoriam, and celebration, I humbly offer my TOP TEN Favorite SWV mind-melters. Cheers, Mr. Vraney, and Thank you for EVERYTHING.
Long Live SOMETHING WEIRD VIDEO!
1957-2014
1. MANTIS IN LACE aka LILA
Lovely exotic dancer LILA OD's on LSD and becomes prone to mid-coital flashbacks, which bring her to the point of homicidal psychedelic fury. Cinematographer LASZLO KOVACS (!) helped supply some of the violently hallucinatory imagery, and one of the victims is STUART LANCASTER from RUSS MEYER's FASTER PUSSYCAT, KILL! KILL!- but there are too many whack performances to list, really. Although SWV dvds are noted for their amazing extras (all time creepiest School Scare film LSD: TRIP OR TRAP? is included), I recommend seeking this out on VHS. It is a far superior cut, although it is a badly damaged print. Still easy to enjoy under the influence, I can attest. More on this classic later. For now, here is the unforgettable theme song:
2. BLOOD FREAK
Muscleman biker STEVE HAWKES takes a new job eating turkey injected with experimental drugs to help support his addiction to marijuana, which is also tainted. The combination transforms him into a bloodthirsty, rampaging, uhh, turkey beak guy, who terrorizes the neighborhood. Plenty of hippie hotties, drug parties, and crimson drenched gore. And praying. Oh, see, this is actually a jesus film! Turkeyman is saved through the efforts of his christian girlfriend, and he eventually drops to his knees to ask the almighty for aid. Incredible.
3. STREET OF A THOUSAND PLEASURES
An unforgettable artifact of a lost time, STREET OF A THOUSAND PLEASURES is a nudie flick on the very threshold of the hardcore era. The thin plot involves an American being shown around an arab slave girl market, but what soon becomes apparent is that the filmmakers have stacked the production with EVERY single nude model or exotic dancer they could find who was willing to participate. So DOZENS of familiar faces (over 70!) from this period appear, including the well known USCHI DIGARD, JOYCE GIBSON and MICHELLE ANGELO. The POV camerawork is equally, and uniquely, exciting too. Many films have bragged the tagline "There's something in it for EVERYONE!", but for once, they weren't kidding. Not willing to post a link to the amazing trailer at some dubious porn site, you'll have to find it yourself. Or better yet, go buy that SOMETHING WEIRD SAMPLER dvd. Lotsa great clips & coming attractions.
4. WIZARD OF GORE
I vacillated between including HERSCHELL GORDON LEWIS' well known classic BLOOD FEAST or this less familiar freakout from further along in his career. Finally went with the latter because the confusing, fourth-wall shattering last reel has always reminded me of the climax to ALEJANDRO JODOROWSKY's later film HOLY MOUNTAIN. Montag the Magician performs blood drenched illusions onstage, but later the hypnotised participants unexpectedly succumb to their (imagined?) tortures. LEWIS' final reel, leaping into the existential void, is one of his wilder accomplishments.
5. THE CURIOUS DR. HUMPP
Where to begin. It's Argentinian. It's a softcore porno, with orgies, lesbians and masturbators. It's a mad scientist film, with an evil antagonist taking orders from a brain in a jar and commanding an army of deformed (alien?) henchmen. It's a demented spoof of the prevalent sexual studies which were coming into vogue, via Masters & Johnson's HUMAN SEXUAL RESPONSE & others. And it's a rather well shot detective story, with earnest do gooders hot on the trail to solve the mystery before it is too late. It would almost seem like a movie pieced together from disparate sources (see SATAN'S BED below), but somehow this most schizophrenic of all the SWV offerings manages to hang together. You'll never be the same.
The Curious Dr. Humpp from El Baron Lagourde on Vimeo.
6. BASKET CASE
Aside from HGL's BLOOD FEAST, perhaps the most widely known of SWV's releases. A likable recent arrival to Times Square (during its seediest heyday) works at exacting revenge against the physicians who performed the surgical removal of his deformed siamese twin as a boy. His astounding companion BELIAL, the basket's denizen, becomes one of cinema's most unlikely underdog antiheroes, and the film bulges with other surprising merits-- numerous likable amateur performances, an impossible to fake aura of NYC scuzziness, some imaginative splatter effects (enhanced by a brief stop-motion sequence!), and a level of irresistably black humor throughout. A low budget masterpiece from FRANK HENENLOTTER.
7. SATAN'S BED
A disorienting hodgepodge from MICHAEL FINDLAY, who would soon find infamy as a trailblazer in the field of violent pre-porn nudies known as 'roughies.' This film seems to be two works unconvincingly spliced together. One is rather standard FINDLAY fare as a co-ed gang of hooligans terrorize a succession of unfortunate females (including pretty brunette JUDY ADLER, who rarely appears in a movie without being manhandled). The other, however, is a brutal big city fable in which YOKO ONO makes an early, startling, starring appearance. I'm not kidding. No, she doesn't have a nude scene.
SATAN'S BED TRAILER
8. BLOODY PIT OF HORROR
Chiseled and oily MICKEY HARGITAY (that's Mr. JAYNE MANSFIELD to you, and yes, father of Law & Order: SVU's MARISKA HARGITAY) stars as The Crimson Executioner, a reincarnation of the MARQUIS DE SADE. His quiet solitude is shattered when a group of photographers and models descends upon his seemingly abandoned castle. Upon eyeballing the beauties, the compulsions take over and he eventually starts bringing the guests down to the torture dungeon... Oddly enough, I think this is supposed to kind of a comedy, but nobody seems to have told HARGITAY, who gives his maniacal all. Not that any of this explains the room with the spider the size of a large pizza and the web made of rope.
9. NIGHT OF THE BLOODY APES
A glaring exception to the 'remakes are never as good as the originals' rule. Of course, it helps that RENE CARDOZA was remaking his own previous Female Wrestler vs. twisted monster effort: DOCTOR OF DOOM. A doctor transplants an ape's heart into his son's body, but this causes a hideous mutation, and the creature breaks loose. Of course, being shot in the early seventies instead of the early sixties means a lot of gratuitous nudity and gruesome violence- including, perhaps most appallingly, footage of actual open heart surgery. The law is powerless to stop the attacks, but thankfully they are dating a Girl Lucha Libre team, who are considerably more proactive. From SANTOS on down, the Mexican Wrestling Movie genre is a mystifying realm.
10. LOVE CAMP 7
Not JUST the precursor to an entire rash of women-in-prison movies in the 70s, LOVE CAMP 7 also kicked off the Nazi sexploitation film craze, which plumbed to the depths of depravity with ILSA: SHE WOLF OF THE SS-- but also found a kind of general acceptance in the artier SALON KITTY and THE NIGHT PORTER. It seems rather difficult to comprehend in retrospect, for if there is any genre more difficult to explain away than this brief burst of Hitler porno chic, I'd certainly be hard pressed to name it. And certainly LOVE CAMP 7, where a group of allied agents goes undercover in a Nazi brothel, and is met with predictably harsh treatment, is true to form. It documents a time, years before actual pornography was legalized, when filmakers would go to ANY length to make their smut deviantly stand out from the crowd. So much of the vintage celluloid could almost seem quaint, if not for the brutal concepts and content-- all so strangely alluring in these PC days.
Well guys, there you have it. It's been a blast! Feel free to leave a comment below and tell me your faves.
And I'm certain there is still plenty of fun to come. For the awesome power and dominating influence of SOMETHING WEIRD VIDEO is ominously all-pervasive....
Here's a link to the fabulous SOMETHING WEIRD VIDEO website! There is also a link to their FB page this way. ORDER something NOW!!
SOMETHING WEIRD VIDEO
And here's a link to MIKE VRANEY's Memorial FB page. A TON of great pictures and remembrances.
MIKE VRANEY MEMORIAL TRIBUTE
SOMETHING WEIRD VIDEO gif via MONSTERMAN! Check out his tumblr!
If anybody needs a credit for anything, please let me know, and I will make adjustments. Thank you.
Wednesday, October 30, 2013
ROKY ERICKSON-THE EVILLER ONE Redux: AN ALTERNATE CLASSIC!
The material recorded by ROKY ERICKSON and the ALIENS with ex CREEDENCE CLEARWATER REVIVAL bassist Stu Cook in the producer spot still commands respect more than 30 years later. Initially spread out over two lps but now compiled into the 15 song EVIL ONE cd, the otherworldly spell of this music still holds demonic sway-- in its way, as important as his legendary previous work with Psychedelic/Garage titans the 13TH FLOOR ELEVATORS. The focus of the terror themed compositions married to the unique and powerful arrangements of the ALIENS resulted in a no-longer-debatable classic. With each passing year its 'cult' status appeal expands into a wider and wider audience of appreciative fanatics.
So why mess with a good thing? Well, truth is, most of THE EVIL ONE's tracks have made impressive, sometimes superior, appearances elsewhere in the dense catalogue of ERICKSON's erratic recording career. Sometimes different versions tried with the ALIENS, sometimes with other backing bands such as the EXPLOSIVES, sometimes live, sometimes solo attempts. With so much of this amazing material available online, it seemed natural to offer up an 'alternate' EVIL ONE. Many of these other options are likely to thrill both the novice ROKY dabbler as well as the longtime devotee-- there are some truly wild performances here, and not all of them are well known.
The set is programmed to match the running order of the EVIL ONE cd, so kick back, open up your mind, and click your fingers applauding as you press PLAY.
1. TWO HEADED DOG
Arguably the most perfect version of this classic was concocted for the slightly earlier Sponge EP, also recorded with the ALIENS.
TWO HEADED DOG
2. I THINK OF DEMONS
Rarely attempted live until ROKY's 'comeback,' here is an impressive take with the NOMADS backing him in 2008 in front of an awesomely receptive audience.
I THINK UP DEMONS
3. CREATURE WITH THE ATOM BRAIN
An unforgettable segment of the 1980 documentary MEETING WITH AN ALIEN featured ROKY performing this favorite in a windy graveyard. Begins with an amusing interview snippet and ends with the ol' devil horns.
CREATURE WITH THE ATOM BRAIN
4. THE WIND AND MORE
This energetic performance with the EXPLOSIVES features some maniacal adlibbing from ERICKSON. This is matched with some more horror themed live footage from MEETING WITH AN ALIEN.
THE WIND AND MORE
5. DON'T SHAKE ME LUCIFER
An enticing performance with the EXPLOSIVES features a tough, lean arrangement and is notably adorned by a rarely heard extra verse-- which surprisingly references his earlier band.
DON'T SHAKE ME LUCIFER
>
6. BLOODY HAMMER
A great acoustic version from the uncommon LOVE TO SEE YOU BLEED cd, with an extra verse of lyrics!
BLOODY HAMMER
7. STAND FOR THE FIRE DEMON
This highlight from the EXPLOSIVES backed CASTING THE RUNES is a performance which inspired ROKY to impressive passages of demented power.
STAND FOR THE FIRE DEMON
8. CLICK YOUR FINGERS APPLAUDING THE PLAY
Though effective in its own right, the EVIL ONE attempt of this gem just can't match the relentlessly bashing throb of the earlier SPONGE ep take.
CLICK YOUR FINGERS APPLAUDING THE PLAY
9. IF YOU HAVE GHOSTS
Also rarely attempted live pre-'comeback,' here is a performance with the MYSTIC KNIGHTS OF THE SEA from the 'lost' years. Reaching from the precipice of the abyss, with determination intact.
IF YOU HAVE GHOSTS
10. I WALKED WITH A ZOMBIE
Another strong EXPLOSIVES live cut.
I WALKED WITH A ZOMBIE
11. NIGHT OF THE VAMPIRE
This startlingly devilish highlight from GREMLINS HAVE PICTURES captures what may be ERICKSON's finest moment with the EXPLOSIVES.
NIGHT OF THE VAMPIRE
12. IT'S A COLD NIGHT FOR ALLIGATORS
This thrilling alternate EVIL ONE take is powered by demonstrably more frenetic drumwork, and other impressive performance touches from the ALIENS.
IT'S A COLD NIGHT FOR ALLIGATORS
13. MINE MINE MIND
Another superior SPONGE ep meditation.
MINE MINE MIND
14. SPUTNIK
Leading off with a chorus instead of a verse, this dazzling EVIL ONE alternate take more than holds its own against the finally utilized version.
SPUTNIK: ALIEN I CREATOR
15. WHITE FACES
The EVILLER ONE proper closes with one of this exercise's most amazing finds: an undeniably superior EVIL ONE take with an incredibly open throttle, full on freakout vocal explosion from ROKY. MUST be heard to be believed.
WHITE FACES
We'll wrap things up here with a few extra tastes of other versions which just fell short of the cut. There were only a few of my first choices not available online-- the Sympathy for the Record Industry live RESURRECTIONISTS cd BEAUTY AND THE BEAST has a great DON'T SHAKE ME LUCIFER, and that release's TWO HEADED DOG surely would have been considered. Otherwise, the remaining ideal options were often all findable. So were these appealing also rans.
16. TWO HEADED DOG
Surely the toughest decision of this program was between the SPONGE ep take of TWO HEADED DOG and this DOUG SAHM produced original, which appeared on a 45 on the MARS label. Many prefer the nearly unhinged clamour of this version, but the devastating guitar work on the SPONGE ep tipped the scales in that direction.
TWO HEADED DOG
17. CREATURE WITH THE ATOM BRAIN
The two cd collection THE EVIL ONE (PLUS ONE) reveals this tantalizing outtake with the ALIENS. Incomplete, but with far more dialogue from the film quoted.
CREATURE WITH THE ATOM BRAIN
18.NIGHT OF THE VAMPIRE
Another brief EVIL ONE alternate from the same release.
NIGHT OF THE VAMPIRE
19. IT'S A COLD NIGHT FOR ALLIGATORS
Edging out the also excellent GREMLINS HAVE PICTURES version, here is a scorching and less common performance with the underheralded RESURRECTIONISTS. Check out an unprecedentedly confident ROKY doubling up the guitar leads!
IT'S A COLD NIGHT FOR ALLIGATORS
20. MINE MINE MIND
A dark, moody solo performance.
MINE MINE MIND
21. BLOODY HAMMER
This slightly varispeeded rough mix of the EVIL ONE version features not only more dominant guitars, but also continues well past the expected fadeout point to the absolute conclusion.
BLOODY HAMMER
22. THE WIND AND MORE
KILLER live take with Dallas' NERVEBREAKERS
THE WIND AND MORE
23. I THINK OF DEMONS
Raw EVIL ONE aternate mix!
I THINK OF DEMONS
24. STAND FOR THE FIRE DEMON
After a great BLOODY HAMMER intro, ROKY & THE ALIENS detour into a blistering STAND FOR THE FIRE DEMON! (Plus, a surprise non-EVIL ONE extra!)
STAND FOR THE FIRE DEMON
25. NIGHT OF THE VAMPIRE
And finally, an unforgettable rehearsal with full orchestra and choir, preparing for one of ROKY's last performances. A perfect monster has no end, indeed.
NIGHT OF THE VAMPIRE
Thanx to the YOUTUBE posters of these precious materials.
For more great ROKY artifacts, please visit this fanpage:
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DEVIL'S INFINITY CHILDREN: A ROKY ERICKSON FANPAGE
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Hail the party.
Monday, September 23, 2013
CHOP HER UP AND I DON'T CARE Redux: TOP 10 RAMONES MOVIE MASHUPS
For more art by SAMY THE KAY click links here or at the end! SAMY THE KAY--ILLUSTRATIONS OF SOUND & SAMY THE KAY--CARTOONIST Thanks Samy!
The RAMONES loved watching movies. Not only does JOHNNY list his favorite flicks by genre in his autobiography, he also notes his favorite film books and Top Ten ELVIS pictures-- which puts him safely beyond the pale into the orbit of genuine fanatic. The cinema was a significant component of their underlying trash aesthetic, and unsurprisingly they frequently referenced works they admired into their lyrics. In the MTV age their promo clips were unmistakably touched by the flavour of their moviegoing obsessions, with distinct nods in style and clearcut homage details.
In the digital internet age this predictably led to the next step of the public marrying their favourite tracks to homemade video mashups utilizing famous movies. The visual and conceptual strengths of the songs are frequently merged onto the familiar film footage with startling success-- that most of the movies employed fall directly from the group's most beloved realms (cult flicks and b-grade horror flicks) helps considerably. Still, a few curveballs pan out exceedingly well, as our sampling below will bear out...
1. IGNORANCE IS BLISS
The apocalyptic, paranoid, late period thrasher is effectively applied to JOHN CARPENTER's dystopian premonition THEY LIVE.
IGNORANCE IS BLISS
2. I WANNA BE SEDATED
The brilliant clip combining WE'RE A HAPPY FAMILY with THE SHINING has unfortunately been removed from youtube, but we can still get an impressive dose of KUBRICK insanity with this surprisingly effective utilization of another of his classics, DR. STRANGELOVE (OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB).
I WANNA BE SEDATED
3. PINHEAD
Inevitably, PINHEAD is brought back full circle to the creepy cult classic that inspired it, on top of the bizarre curiosity's most unforgettable sequence, no less. Gooble Gobble!!
PINHEAD
4. BEAT ON THE BRAT
This stunner fuses the anti-rugrat anthem to a trio of violent bat attacks: Two from the gangster genre (THE UNTOUCHABLES & A BRONX TALE), but then an amazing segue into the Baseball Furies battle from the New York gang thriller THE WARRIORS.
BEAT ON THE BRAT
5. CHAINSAW
Of course who couldn't see this one coming from a mile away, but it's genuinely impressive how well it captures the menace of TOBE HOOPER's maniacal bedrock effort in such a short stretch of time.
CHAINSAW
6. THE CRUSHER
Now HERE's one that would have been tough to foresee--DEEDEE's wrestling ode plopped on top of SLY STALLONE's absurd Cold War era ROCKY sequel! Hilarious.
THE CRUSHER
7. OUTSIDER
A tad obvious, but quite well done. Does this movie version of the S.E. HINTON juvie standby have ANY male fans??
OUTSIDER
8. COMMANDO
I guess it would have been hard to not see this one coming.
COMMANDO
9. PET SEMATARY
Practically unavoidable, but it is rather puzzling how little of this picture's disturbing footage made it into the official video. That oversight is finally rectified here- and the straight match to the theatrical trailer works eerily well.
PET SEMATARY
10. MERRY XMAS (I DON'T WANNA FIGHT TONIGHT)
One of the program's most brilliant ideas, this cautionary Yuletide plea for calm is commingled with a dazzling montage of Doomed Couples from the Cinema (mostly drawn from the horror domain). A few in here escape my familiarity-- feel free to message me a full list if you can identify them all!
MERRY XMAS (I DON'T WANNA FIGHT TONIGHT)
BONUS!!
One more goodie for you. There's only a few moments of the WWII era drama TOMORROW THE WORLD online currently, but likelihood points to this being a probable inspiration for DEEDEE's trademark masterpiece TODAY YOUR LOVE, TOMORROW THE WORLD. (Certainly the German-raised bass player would have found resonance in the potboiler's melodramatic portrayal of an American family struggling to cope with the foreign houseguest youth hiding an explosive, secret past.) Hopefully someone uploads the entire feature soon...
TOMORROW THE WORLD
2014 UPDATE: FULL MOVIE NOW UP! Sound is a bit duff.
TOMORROW THE WORLD 1944
HEY! HO! You! The amazing illustration leading off this piece was drawn by the supremely talented SAMY THE KAY, whose supercool work often references badass musicians (including, often THE RAMONES). Follow these links to more of his superb concoctions. Thank you for granting me permission, Samy!
TUMBLR! --->> SAMY THE KAY--ILLUSTRATIONS OF SOUND
FACEBOOKK! --->> SAMY THE KAY--ILLUSTRATOR/CARTOONIST
And of course don't forget to check out my daily track by track RAMONES career overview blog at
RAMONES--HUMMING A SICKENING TUNE
Links to follow on Tumblr and Facebook can also be found there.
Wednesday, August 21, 2013
ROKY ERICKSON-THE EVILLER ONE: AN ALTERNATE CLASSIC!
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THIS PAGE HAS BEEN UPDATED! Click here to jump to the fresh link.
EVILLER ONE REDUX
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The material recorded by ROKY ERICKSON and the ALIENS with ex CREEDENCE CLEARWATER REVIVAL bassist Stu Cook in the producer spot still commands respect more than 30 years later. Initially spread out over two lps but now compiled into the 15 song EVIL ONE cd, the otherworldly spell of this music still holds demonic sway-- in its way, as important as his legendary previous work with Psychedelic/Garage titans the 13TH FLOOR ELEVATORS. The focus of the terror themed compositions married to the unique and powerful arrangements of the ALIENS resulted in a no-longer-debatable classic. With each passing year its 'cult' status appeal expands into a wider and wider audience of appreciative fanatics.
So why mess with a good thing? Well, truth is, most of THE EVIL ONE's tracks have made impressive, sometimes superior, appearances elsewhere in the dense catalogue of ERICKSON's erratic recording career. Sometimes different versions tried with the ALIENS, sometimes with other backing bands such as the EXPLOSIVES, sometimes live, sometimes solo attempts. With so much of this amazing material available online, it seemed natural to offer up an 'alternate' EVIL ONE. Many of these other options are likely to thrill both the novice ROKY dabbler as well as the longtime devotee-- there are some truly wild performances here, and not all of them are well known.
The set is programmed to match the running order of the EVIL ONE cd, so kick back, open up your mind, and click your fingers applauding as you press PLAY.
1. TWO HEADED DOG
Arguably the most perfect version of this classic was concocted for the slightly earlier Sponge EP, also recorded with the ALIENS.
TWO HEADED DOG
2. I THINK OF DEMONS
There actually aren't a lot of other versions of this sturdy scarifier, so we'll make do with a strong live take with THE EXPLOSIVES, recorded on Halloween and leaning more towards the 'UP' instead of the 'OF' of the title.
I THINK UP DEMONS
3. CREATURE WITH THE ATOM BRAIN
An unforgettable segment of the 1980 documentary MEETING WITH AN ALIEN featured ROKY performing this favorite in a windy graveyard. Begins with an amusing interview snippet and ends with the ol' devil horns.
CREATURE WITH THE ATOM BRAIN
4. THE WIND AND MORE
This energetic performance with the EXPLOSIVES features some maniacal adlibbing from ERICKSON.
THE WIND AND MORE
5. DON'T SHAKE ME LUCIFER
Another tidbit from the Halloween show features a tough, lean arrangement and is notably adorned by a rarely heard extra verse-- which surprisingly references his earlier band.
DON'T SHAKE ME LUCIFER
6. BLOODY HAMMER
This slightly varispeeded rough mix of the EVIL ONE version features not only more dominant guitars, but also continues well past the expected fadeout point to the absolute conclusion.
BLOODY HAMMER
7. STAND FOR THE FIRE DEMON
This highlight from the EXPLOSIVES backed CASTING THE RUNES is a performance which inspired ROKY to impressive passages of demented power.
STAND FOR THE FIRE DEMON
8. CLICK YOUR FINGERS APPLAUDING THE PLAY
Though effective in its own right, the EVIL ONE attempt of this gem just can't match the relentlessly bashing throb of the earlier SPONGE ep take.
CLICK YOUR FINGERS APPLAUDING THE PLAY
9. IF YOU HAVE GHOSTS
An EVIL ONE rarity for certain: not only untopped, but virtually unattempted elsewhere in any recorded form by ERICKSON. Suppose the only way to achieve 'EVILLER' in this instance is to throw in imagery from the 1962 cult horror film CARNIVAL OF SOULS. (This vid begins with a brief snippet of WHITE FACES. Don't worry. That's coming.)
IF YOU HAVE GHOSTS
10. I WALKED WITH A ZOMBIE
Another strong EXPLOSIVES live cut.
I WALKED WITH A ZOMBIE
11. NIGHT OF THE VAMPIRE
This startlingly devilish highlight from GREMLINS HAVE PICTURES captures what may be ERICKSON's finest moment with the EXPLOSIVES.
NIGHT OF THE VAMPIRE
12. IT'S A COLD NIGHT FOR ALLIGATORS
This thrilling alternate EVIL ONE take is powered by demonstrably more frenetic drumwork, and other impressive performance touches from the ALIENS.
IT'S A COLD NIGHT FOR ALLIGATORS
13. MINE MINE MIND
Another superior SPONGE ep meditation.
MINE MINE MIND
14. SPUTNIK
Leading off with a chorus instead of a verse, this dazzling EVIL ONE alternate take more than holds its own against the finally utilized version.
SPUTNIK: ALIEN I CREATOR
15. WHITE FACES
The EVILLER ONE proper closes with one of this exercise's most amazing finds: an undeniably superior EVIL ONE take with an incredibly open throttle, full on freakout vocal explosion from ROKY. MUST be heard to be believed.
WHITE FACES
We'll wrap things up here with a few extra tastes of other versions which just fell short of the cut. There were only a few of my first choices not available online-- the Sympathy for the Record Industry live RESURRECTIONISTS cd BEAUTY AND THE BEAST has a great DON'T SHAKE ME LUCIFER, and that release's TWO HEADED DOG and COLD NIGHT FOR ALLIGATORS surely would have been considered. The LIVE IN DALLAS release with the NERVEBREAKERS features a particularly strong THE WIND AND MORE. Also, the odd import compilation LOVE TO SEE YOU BLEED has a potent acoustic demo of BLOODY HAMMER. Otherwise, the remaining ideal options were all findable. So were these appealing also rans.
16. TWO HEADED DOG
Surely the toughest decision of this program was between the SPONGE ep take of TWO HEADED DOG and this DOUG SAHM produced original, which appeared on a 45 on the MARS label. Many prefer the nearly unhinged clamour of this version, but the devastating guitar work on the SPONGE ep tipped the scales in that direction.
TWO HEADED DOG
17. CREATURE WITH THE ATOM BRAIN
The two cd collection THE EVIL ONE (PLUS ONE) reveals this tantalizing outtake with the ALIENS. Incomplete, but with far more dialogue from the film quoted.
CREATURE WITH THE ATOM BRAIN
18.NIGHT OF THE VAMPIRE
Another brief EVIL ONE alternate from the same release.
NIGHT OF THE VAMPIRE
19. IT'S A COLD NIGHT FOR ALLIGATORS
Another great EXPLOSIVES live track from GREMLINS HAVE PICTURES. Not as good as the RESURRECTIONISTS, but available.
IT'S A COLD NIGHT FOR ALLIGATORS
20. MINE MINE MIND
A dark, moody solo performance.
MINE MINE MIND
21. TWO HEADED DOG
In conclusion, one more highly obscure demo of TWO HEADED DOG.
TWO HEADED DOG
Thanx to the YOUTUBE posters of these precious materials.
For more great ROKY artifacts, please visit this fanpage:
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https://www.facebook.com/devilsinfintychildren
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Hail the party.
Monday, August 12, 2013
RAMONES CARTOONS!! REDUX
ENJOY, kiddies! And don't forget to check out my daily track by track RAMONES career overview at:
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RAMONES--HUMMING A SICKENING TUNE: An Overview
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I DON'T WANNA GO DOWN TO THE BASEMENT Demo
I DON'T WANNA GO DOWN TO THE BASEMENT
LISTEN TO MY HEART
COMMANDO
CHAINSAW
JUDY IS A PUNK
DEEDEE
JOHNNY
SPIDER MAN
HAPPY BIRTHDAY
I DON'T WANT TO GROW UP
WE'RE A HAPPY FAMILY
I DON'T WANNA WALK AROUND WITH YOU
ROCK 'N' ROLL HIGH SCHOOL
Thanx to the animators and posters of these great clips, especially stelos486!! Great work. No ownership implied or suggested.
Ramones poster by HUNT EMERSON.
Wednesday, July 3, 2013
READ YOUR LINE SO CLEVERLY: Top 10 ELVIS Flick SLUMMERS!!
A career in films isn't easy. Even if by some more-farfetched-than-a-lottery-jackpot possibility one achieves any level of demonstrable success and accolades, an actor (or director, etc) must adopt an unblinking flexibility towards project quality if a steady stream of work is to be maintained. Fleeting smash hit popularity, or winning an Oscar or somesuch, offers no guarantee of automatic new opportunities. Only major, massive stars can exercise true aesthetic veto power over which proposed future ventures they might opt to sign on for. Even if you're the best, sometimes there are still bills that need to be paid, and sometimes you enter upon enterprises somewhat beneath your abilities. Like, say for instance, ELVIS movies.
It is not the aim here to be critical of those on the first upward slope of their professional arc (MARTIN SCORSESE cutting his teeth editing ELVIS ON TOUR jumps to mind). Nor are we here to spotlight the journeyman efforts of capable 'B' or 'C' listers such as the likable L.Q. JONES or the surprisingly grating SHELLEY FABARES (both of whom astonishingly managed THREE 'E' film appearances.) The sublime succumbing to schlock is our present focus, and (especially) once they hit their post-army-stint pace, PRESLEY's movies were the very embodiment of schlock. They were churned out thrice a year, rehashing similar plots and rehiring the same second rate TV hacks behind and in front of the camera film after film. Most of his cinema highlights occurred in the initial mid to late fifties burst of activity, but in the sixties simple competence was rarely achieved-- despite the occasional (and often embarrassing) utilization of top notch craftsmen. And it is these startling appearances in ELVIS' celluloid ouevre by true, established Hollywood talent to which this list is dedicated.
1.) MICHAEL CURTIZ "King Creole"
Let's just get this anomaly out of the way. A genuinely GREAT movie, KING CREOLE is one of the only instances where an injection of skilled studio hands actually elevated an 'E' project, on the whole, to substantial heights. (Notably, but unsurprisingly, this occured pre-army.) At the director's helm for what ended up being one of his final films, CURTIZ drew upon a lifetime of experience for his ELVIS assignment. The multiple Oscar winning genius behind such varied classics as CASABLANCA, YANKEE DOODLE DANDY, MILDRED PIERCE and THE ADVENTURES OF ROBIN HOOD brought a class and compositional eye to the table, the likes of which would never be seen in a PRESLEY film ever again. Also overachieving above and beyond the call of duty were cast members WALTER MATTHAU, a young VIC MORROW, and a pre-Morticia CAROLYN JONES.
2.) BARBARA STANWYCK "Roustabout"
The four time Academy award nominee of DOUBLE INDEMNITY and other classics brought a slight spunk to a workmanlike walk through of her role here as a matronly carnival owner. Already deep into a transition to television, she is tangibly formularizing a persona which will soon find full flower on THE BIG VALLEY. Veteran character actor LEIF ERICKSON seems a bit more in his element.
3.) GARY MERRILL "Clambake"
After unforgettably acting alongside his future wife BETTE DAVIS in the top rank classic ALL ABOUT EVE, there was probably really only room for downward mobility. However, MERRILL's surprising supporting role in this late PRESLEY potboiler is nearly impossible for a fan of his early work to acclimate to. One decade you're sharing the screen with GEORGE SANDERS, another decade, with WILL HUTCHINS and a bunch of gogo dancers from the MONKEES. That's GARY on the right.
4.) ANGELA LANSBURY "Blue Hawaii"
Academy award nominee for GASLIGHT and THE PICTURE OF DORIAN GRAY, this English/Irish actress was on the way to one of her most chilling roles as the merciless political matriarch in THE MANCHURIAN CANDIDATE when she paused for this misstep as ELVIS' southern mother, one of the most awkward performances in ANY PRESLEY film--which is saying something. Unfazed, the actress found future television fame awaiting her on MURDER SHE WROTE. Ummm, what the hell is up with that hug, MOM?
5.) GIG YOUNG "Kid Galahad"
Halfway between Best Supporting Oscar nominations (he eventually won for THEY SHOOT HORSES DON'T THEY) this screen veteran ranked barely noticeable in this bland ring drama. Some might suggest that the nod here should go to co-star CHARLES BRONSON, but although his continual struggle to not seem the tougher presence alongside the weak PRESLEY is amusing, his career feels a little too comfortable in the exploitative 'B' realm for this appearance to truly constitute 'slumming.' The overall arc must have been plain even to ELVIS--less than a decade after being directed by the great MICHAEL CURTIZ, here was the King stumbling through a hackneyed remake of one the recently deceased master's early classics.
6.) DON SIEGEL "Flaming Star"
The director of the respected paranoid sci-fi parable INVASION OF THE BODY SNATCHERS was already an experienced hand at crime drama and westerns by the mid sixties, but apparently his work at the helm of the FABIAN 'Love Me Tender' copycat film HOUND DOG MAN is what clinched SIEGEL for this latest PRESLEY shoot 'em up. Interestingly, filming had already begun with BARBARA STEELE in BARBARA EDEN's role, but she was replaced due to her inexperience, foreign accent, brunette hairdo, and height. Although SIEGEL eventually won fame later with countless CLINT EASTWOOD collaborations, this film remains no better than a bit above passable. The lobby poster reproduced below apparently features ELVIS after the Charles Atlas bodybuilding program.
7.) ELSA LANCHESTER "Easy Come, Easy Go"
The striking English actress best known as the BRIDE OF FRANKENSTEIN and longtime real life bride of the brilliant CHARLES LAUGHTON was on a Disney generated comeback of sorts when she detoured on to this dismal PRESLEY vehicle. She was offered sizable opportunity to degrade herself with a featured musical number (one of very few ELVIS costars allowed to do so) and the execrable results below offer grim proof that said opportunity was seized heartily.
8.) HARRY MORGAN/JOHN IRELAND/PAUL LUKAS (tie)
Here's a trio of talented character actors all being wasted in low grade PRESLEY drivel. HARRY MORGAN had already had supporting roles in durable perennials such as INHERIT THE WIND and HIGH NOON before taking on the role of ELVIS's little pianist in the unbearable FRANKIE AND JOHNNY. He later achieved TV notoriety on DRAGNET and MASH. Oscar winner PAUL LUKAS was well known for roles in creepy films such as THE LADY VANISHES and 20,000 LEAGUES UNDER THE SEA before stooping to the wretched FUN IN ACAPULCO. Dependable JOHN IRELAND was a familiar face in classic westerns and had already won an Oscar for ALL THE KING'S MEN before spinning his wheels in the hopeless PRESLEY melodrama WILD IN THE COUNTRY. Speaking of WILD IN THE COUNTRY...
9.) CLIFFORD ODETS 'Wild in the Country"
The famed left wing playwright had already landed on his feet as a Hollywood script doctor before being called to testify on his Communist leanings before HUAC, pretty much falling in line with ELIA KAZAN-- widely regarded as the McCarthy era's most famous cooperative witness. Despite his tarnished reputation, the screenplay for THE SWEET SMELL OF SUCCESS brought him just that. He was then inexplicably hired to adapt the J.R. Salamanca novel "Lilith" as an upcoming ELVIS vehicle, and the morbidly overdramatic result WILD IN THE COUNTRY remains one of PRESLEY's most wrongheaded misfires.
10.) BURGESS MEREDITH "Stay Away Joe"
One of America's most recognizable thespians, BURGESS MEREDITH enjoyed work in stage and film so prolific that sometimes it almost seemed as if when he took on a truly low grade role, he would revel in relishing the opportunity to exploit the ludicrous lunacies of the assignment. Although surely cathartic and fun, this led to numerous career embarrassments. Surely few are as imbecilic as the 'comic' turn he takes playing a Native American elder in the rock bottom PRESLEY atrocity STAY AWAY JOE.
HONOURABLE MENTION:
It just wouldn't seem right to not mention the TROUBLE WITH GIRLS cameos by VINCENT PRICE and JOHN CARRADINE. Although brief--and despite the fact that these are two actors scarcely known to have refused ANY role-- they prove to be a breath of fresh air in a film that is close to intolerable. Rarely has such a half hearted attempt at slumming been such a welcome relief.
Picture credits:
http://matthau.com/
http://www.elvisblog.net
www.elvis.com.au
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